Saturday, October 6, 2012

MAC Backstory


A little back-story is in order. I have been the director of the MAC since February of 2006. Before me was Janie Oldfield from 1999 to 2005 and her predecessor was the man who shared Hal McAninch’s vision for a suburban arts center and the first Director, Jack Weiseman. When the Arts Center opened in 1986 the first seasons were a mix of theatre, music, dance and visual arts presented by touring artists, student ensembles, community ensembles and local professionals. As the years passed the number of touring artists increased each season, some community ensembles became professional, and as enrollment grew more students found their way to Arts Center stages and galleries. The number of events or their amateur or professional status are important for the archivists to recall, but for our discussion what is important to acknowledge is that the center grew steadily for two decades. Budgets increased, more staff were hired, revenues grew as did expenses. Many would concur that the quantity and quality both trended up.

At some point the MAC reached critical mass. For our purposes critical mass is defined as the minimum amount of money or number of people needed to sustain a business. I would estimate it was sometime before I arrived in 2006. Some time before 2006 and continuing to this date the College of DuPage has contributed an increasing amount of dollars to sustain the MAC. Simply, it costs the College more dollars, dollars that could be otherwise spent elsewhere, to support the mission of the MAC.
The mission of the McAninch Arts Center is to foster enlightened educational and performance opportunities, which encourage artistic expression, establish a lasting relationship between people and art, and enrich the cultural vitality of the community.

Presently the MAC supports the following in service of mission.
  • College Music Ensemble Performances
  • College Dance Concerts
  • College Theatre Productions
  • College student and faculty Art Exhibits
  • Global Flicks International Film Series
  • College Lecture Series
  • Artist in Residence Program
  • Community arts education and engagement programs
  • Community Venue - Rentals
  • Gahlberg Gallery – Contemporary Art Gallery
  • Buffalo Theatre Ensemble – Professional Theatre in Residence
  • New Philharmonic – Professional Orchestra in Residence
  • MAC Artist Series – National and international artist performance series
  • Schoolstage Series – Performances for K-12 students


The last five categories are considered professional work presented for the benefit of the community at large and our community of students. During the 2010-11 season that category amounted to 148 public performances of 78 arts events and an additional 8 art exhibits. In that season approximately 65,000 patrons experienced a professional arts event at the college, 13,200 of them were school children. I’ll be the first to say it is an impressive list, but is it sustainable? Presently, I would say no; neither from the human or fiscal resource side of the equation. Could it be? Possibly.

So what should we be doing and how should it be supported? Should the mission evolve? Must we evolve? How should we re-conceptualize?

At some point we’ll have to discuss the gorilla in the corner – money. To be continued…

Best
Stephen
                        

Wednesday, October 3, 2012

Re-Conceptualization


A friend recently gave me a book by Nello McDaniel and George Thorn, Towards a New Arts Order. The authors place the era into our moment in time,
Expanding our perspective, we see that the current state of the economy is not an aberration – virtually every aspect of the country’s social, political and cultural makeup is undergoing a major transformation. For better or for worse, the arts are inextricably linked to the shifting plates of the economy, culture, society, and politics. The burden of debt and the dysfunction that the arts are experiencing is mirrored in every other sector of society.
Sounds about right; however, they wrote this in 1993. The country was in recession, the savings and loan crisis had claimed many large institutions and the federal government had stepped in, the exploding deficit was on everyone’s mind and a young Democrat had defeated a sitting Republican President on the mantra, “It’s the economy, stupid.”

Fast forward a generation to 2012 and it appears we have not learned much. Our country is slowly coming out of the worst recession in many generations in which the arts and culture sector has certainly borne its burden during the down economy. Many in Higher Education once thought we were immune from the tempests in the marketplace; however, this crisis has proved them wrong. So an arts organization on a college campus finds itself doubly challenged. During the best of times arts organizations are understaffed, underfunded, and over committed. If we can just sell a 100 more tickets, or add another community service because the grant funders will take notice, or suddenly tap the under 35 audience - we’ll be okay. Arts organizations have always understood bottom-lines and dead-lines. The show opens Saturday at 8pm and if we don’t have 500 in the house we don’t make the nut.

I bristle when people say we should operate our arts organization more like a business. So I was happy when Jim Collins, Good to Great (2005) affirmed my belief.
We must reject the idea – well intentioned, but dead wrong – that the primary path to greatness in the social sectors is to become ‘more like a business’. Most businesses – like most anything else in life - fall somewhere between mediocre and good. Few are great.
Bless you, Jim Collins. Why would we want to be mediocre? Not that we presently reside on Great Lane. The arts have always focused on the patron experience, which to me is more than saying we are customer friendly. A customer is a transaction - a patron can be a life-long relationship.

So we are about creating cultural experiences and cultivating patron relationships with the arts that will last a lifetime. Then if the MAC is in a time that Mello and Thorne would call re-conceptualization – a time when we must redesign, reconstruct, and reposition our organizations – we must ask ourselves these questions.

     Why should we exist?
     What are our values?
     What are our priorities and what are someone else’s priorities?
     How do we best serve our community, our art form, students, and artists?

Once we ask and answer these questions and begin the process of re-conceptualizing our organization we must face the question whether we have the resources, human and financial, to do the work. To be continued…

Best
Stephen

Monday, October 1, 2012

Engage With Me


As many of you know the McAninch Arts Center is closing this month for a major 18-month renovation that, when complete, will once again set the bar for community college arts education, performance and exhibition space. In the interim we continue to present and produce arts events on campus and throughout our community. In the coming months we will be creating a plan for our return to a renovated performing arts center. I will be using this blog to engage in a discourse about arts and culture, the role of a community college in supporting a cultural mission, and the challenges we face. I invite friends, colleagues and contrarians to engage with me and share your thoughts.

Best
Stephen

Tuesday, September 11, 2012

Food Truck Revolution

The food truck revolution has made it to DuPage. In places like LA or Austin, TX haute cuisine served on the curb from a food truck has become the hot thing. Chefs are coming our of their bricks and mortar restaurants and taking their shows on the road. Part of it is the gourmet-ification of blue collar food, like pizza, barbecue, and burgers. I've been to joints where no one bats an eye when a burger comes to the table with pear, arugala and smoked gouda on the bun and as evidenced on TV's Food Network and other popular food focused channels making great barbecue or cupcakes has become a high art form.

This Saturday, rain or shine, a few of Chicagoland's Food Truck pioneers will be at the MAC serving up their specialties during our Blues, Brews and BBQ event. Gourmet barbecue, tacos, cupcakes and gelato will all be on the menu along with adult beverages from Two Brothers Brewery and I Have a Bean Coffee.

The links to to our Food Truck Friends are below.
Brand BBQ
Fire It Up
Gia Via Sweets
Sweet Ginger Gelato

Gates open at 5:00
Bands start at 6:00
$10 admission
See you there.

Monday, July 2, 2012

My BTE Story

by Amy Calhoun


It has been twelve years since I experienced my first Buffalo Theatre Ensemble production - Angels In America by Tony Kushner. I was less than two years out of college and I was interviewing for my current job here at the MAC. 

As a former theater student, I was excited to see this astounding play for the first time and with a company I could potentially be working alongside. I purchased my tickets to parts one and two and awaited the days until I would attend the performances.

For those of you that remember the old seats of Theatre 2, you'll recall the butt-numbing discomfort, but I didn't care - I was seeing great theater! It was my first introduction to Connie Canaday Howard and Robert Jordan Bailey, and as I sat in the darkened theater, I was entranced by the story unfolding in front of me. The performances were brilliant and even if I didn't get the job, I knew BTE was going to be my theater of choice.

Amelia Barrett in Rabbit Hole
Lucky for me, I did get the job and have been working with the members of this ensemble for more than a decade. I cried buckets of tears over Amelia Barrett's performance in Rabbit Hole. Jumped out of my skin watching Kurt Naebig and Robert Jordan Bailey beautifully execute the thriller Woman in Black. And, swooned over William "Sandy" Smillie performance in Stones in his Pockets. From the design elements to the performances, every participant of a BTE production has a way of impacting me when I see a production.

Robert Jordan Bailey in 
Woman in Black.
Since moving to this area fourteen years ago, I have seen more BTE productions than any other professional theater in all of Chicagoland so I guess that does make me a bit biased. But even though I read the scripts in advance, it never fails that I am amazed by something unique and real that BTE productions bring to the stage.

The Drawer Boy
The best part is I’m only one in the hundreds of people who enjoy Buffalo Theatre Ensemble production after production. This audience and I share a common bond – an appreciation and joy for theater that is giving stories life. I invite you to join me and the rest of the audience as BTE brings The Drawer Boy to the stage this summer and then continues into their 26th season with The Lady with All the Answers, The Underpants and Trumbo – Red, White and Blacklisted. I can’t wait to have you be part of the story too.






Amy Calhoun is the Marketing Specialist for the McAninch Arts Center at College of DuPage, Buffalo Theatre Ensemble and New Philharmonic.

Friday, April 13, 2012

Buffalo Theatre Ensemble's Tuesdays with Morrie

Tuesdays with Morrie
by Jeffrey Hatcher and Mitch Albom
based on the book by Mitch Albom
directed by Amelia Barrett*

Touching, thoughtful and sweet, Tuesdays with Morrie, based on the 1997 best-selling book, tells the story of Morrie Schwartz and his unexpected renewed relationship with former student Mitch Albom. While fighting his battle with Lou Gehrig’s disease, Morrie mentors his former student with valuable life lessons on life, love, wealth, aging, dependence, peace and death.


Cast: Michael Sassone* and Carl Lindberg

*Member of BTE and Actors’ Equity Assn.

May 4 to 27, 2012
Preview: May 3

Showtimes       Th, Fri, Sat: 8 p.m.
                        Sun Matinee: 2 p.m.
Ticket prices    $23 to $33

“Unforgettable! No matter how well you tell the story, the play makes it more vivid, more shattering, more humorous.” – New York Magazine

PHOTOS

Michael Sassone as Morrie Schwartz in Tuesdays with Morrie

Carl Lindberg

Michael Sassone

Westmont’s Galen Ramsey Creates Designs for BTE’s  “TUESDAYS WITH MORRIE,” May 4-27

http://triblocal.com/westmont/community/stories/2012/04/westmont%E2%80%99s-galen-ramsey-creates-designs-for-bte%E2%80%99s-%E2%80%9Ctuesdays-with-morrie%E2%80%9D-may-4-27/

RELATED VIDEOS
Clips of Tuesdays with Morrie film starring Hank Azaria and Jack Lemmon
Mitch Albom's speech at the 
2007 Augie's Quest Black and Blue Bash 



Mitch Albom's web site with actual interviews with Morrie Schwartz


Monday, March 19, 2012

Hungry for Something New?

Are you naturally curious? Do you seek out the radical, the unruly, the experimental? Does the avant-garde excite you?  Then you might want to explore the eighth blackbird production of Pierrot lunaire.

We've compiled some interesting information about the program and the ensemble to help you along on this sonic adventure.

eighth blackbird blog
About the Pierrot lunaire project


Arnold Schoenberg conducts Pierrot lunarire (1940) Audio




eighth blackbird: Pierrot Lunaire from Mark DeChiazza on Vimeo.


Links about eighth blackbird:

Arnold Schoenberg Center



About New Music:

Suggested reading:
The Rest is Noise by Alex Ross
Listen to This by Alex Ross

Schedule of eighth blackbird Events:
Monday, March 26
10am                     Lecture/Demonstration (MAC Room 139)

Tuesday, March 27
4 – 6 pm               Open Rehearsal (MAC Mainstage)

Wednesday, March 28
6:30-7:10 pm      PreConcert Lecture provided by Professor Lee R. Kesselman
7:30 pm                Performance
Post MAC Chat  Provided by members of ensemble

We  look forward to having you join us for something 100 years old yet completely new.